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The Judges
The Judges
The Judges
Lee Anne Mathews began doing theatre as a child in her hometown of Reno, Nevada, and she has not stopped since! As a member of Actor's Equity Association, Lee Anne has performed all over the world doing everything from Shakespeare to Disney. She has been in St. Louis for about five years, and has worked here as an actor, director, choreographer,…
Megan Monaghan is a freelance dramaturg, director, and teacher. She served as the Artistic Program Director of the Lark Play Development Center, overseeing all of the organization’s artistic programming. Prior to that she was the Literary Manager of South Coast Repertory Theatre, where she spearheaded the theatre’s new play commissioning and development work and served as co-director of the Pacific…
Patrice Munden is a native of Virginia, and an interior designer and vintage furniture dealer who has lived in St. Louis for 15 years. She has been an avid lover of live theatre ever since playing in the band of her high school’s production of Grease. Her hobbies include performing community service, reading great books and spending time with her…
James Nicholson is a member of PEN and an Active Member of The Dramatists Guild. An alumnus of New Dramatists, his work has been performed professionally on three continents and has received both National and International Awards.
Sheila Oliveri holds a B.A. in Theatre Arts and Communications. She enjoys theatre in all its forms, and has directed community theatre productions for children. Sheila’s past endeavors have included work in radio, newspaper columnist, marketing and community relations, and professional consultant, but she found her true calling as a teacher. With twenty years experience serving preschools as an art,…
Eric Pugh joined STAGES ST. LOUIS in 2010 as Marketing Director after serving in the same capacity at Florida Studio Theatre in Sarasota, Florida. Eric received his Bachelor of Arts in Business and Organizational Communication from the University of Akron (Akron, Ohio). His education experience included an abroad study of Communications in London, England and work at the Rock and…
Belinda Quimby is currently pursuing a Master of Education at UMSL while getting certified to teach Speech & Theatre in the state of Missouri. She has performed and worked in the St. Louis theatre community for over four years working with companies such as St. Louis Shakespeare, Muddy Waters, Overdue Theatre Company, and West End Players Guild. Belinda has worked…
Pamela Reckamp has been a part of St.Louis’ theatre scene for the last 17 years as an actor, director, producer, and educator. She has taught theatre for students from kindergarten to college, most recently at St. Louis University. As Artistic Director of Spotlight Theatre from 2001-2010, she produced over 30 theatrical ventures from musicals to dramas to original theatre for…
Michael James Reed NY theatre credits include La Bête (Broadway), King Lear (Roundabout), Amphitryon (Classic Stage Co), A Forest in Arden (NY Theatre Workshop), and seasons at the Pearl Theatre. Regionally, Michael worked at the Old Globe (Pericles, Julius Caesar, Twelfth Night, and The Trojan Women), Pasadena Playhouse (Enchanted April), Alley Theatre (Angels in America) as well as roles at…
Tim Ripplinger made his stage debut as Pig Pen in an avant garde version of “You’re A Good Man, Charlie Brown” at Sacred Heart Elementary School in Florissant. His performance was so universally panned that he abandoned acting until, thirty years later, a couple of classes at Webster University again gave him the bug, and he became a member of…
Charlie Robin is a native of St. Louis, and has spent 25 years working in arts management, and loving almost every minute of it. As Executive Director for the Edison at Washington University, he oversees the Edison Theatre on the Danforth campus and performing venues at the 560 Music Center in University City. He also teaches Arts Management for Washington…
DJ Sanders is credited with writing more than twenty original stage plays and translating several plays from Catalan and Spanish into English, including Guillem Clua’s Skin in Flames, which was a critical success in St. Louis in 2006 and went on to be published and then produced in Philadelphia, Salt Lake City, and Chicago. Six of Sanders’s original ten-minute plays…
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